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Glossary of Oriental Rug Terms


ABRASH
AFSHAR
ARABESQUE
ASYMMETRICAL KNOT
BAHKTIARI
BELOUCH
BESHIR
BORDER
BOTEH
BROCADED
BUKHARA
BOKHARA
CARDING
CARTOUCHE
CHINTAMANI
CHUVAL
CLOUDBAND
DEPRESSED WARPS
ELEM
ENDLESS KNOT
ENGSI
ENSI
ERSARI
FIELD
FLAT WEAVE
FOUNDATION
GABBEH
GUL
HANDLE
HARSHANG
HANDSPUN WOOL
HAZARA
HERATI
IKAT
KAZAK
KAZAKH
KHORJIN
KNOTTED PILE
KURD
LAZY LINES
LUR
MEDALLION
MIHRAB
MINA KHANI
MORDANT
MUGHAL
NATURAL DYES
PALMETTE
PLAIN WEAVE
PRAYER RUG
QASHQAI
RUNNING DOG
SAF
SAFAVID
SELJUK
SHAHSAVAN
SOFREH
SOUMAC
SPANDREL
SPINNING
SUZANI
SYMETTRICAL KNOT
TEKKE
TORBA
TURKMEN
UZBEK
VEGETAL DYES
VILLAGE RUG
WARP
WEFT
YASTIK
YOMUT
YORUK
YURT

ABRASH
A word of Turkish origin normally used to describe the color of a horse; it means dappled, speckled or mottled. The term has long been used in the trade to describe the small variations in hue and saturation found within a single color in a carpet. It applies to two distinct phenomena. The first is caused by the crude technology of the tribal and village dyer, which, combined with variations in yarn diameter, makes small variations in the color of yarn dyed as a single batch. In the carpet this appears as a mottling which gives the color an attractive depth; an absolutely uniform color, by comparison, appears dull and dead. The second is the abrupt change in color occurring at the point where one batch of wool finishes and another, not quite matching, begins: a distinct horizontal line is visible at the junction between the two batches.
AFSHAR
A Turkic speaking nomadic and partly settled tribal group in Southern Persia with summer pastures in the mountains south and west of Kerman; they are weavers of excellent pile and kilim rugs.
External Link Parvis Tanavoli On Afshar Rugs by Jim Adelson
ARABESQUE
A form obtained by the complex interlacing of continuous lines of leaves and shoots.
External Link Arabesque in Wikipedia
ASYMMETRICAL KNOT
The asymmetrical knot is formed by thread going around two warps and fully encircling only one of them; it then passes behind the back and one side only of the other warp thread. Also called Persian or Senneh knot.
External Link Basic Tribal and Village Weaves at MarlaMallett.com
BAHKTIARI
A nomadic group in southern Persia migrating between the central Zagros mountains and the low-lying areas around Ahvaz; in common with the LURS they speak a Persian dialect with archaic features. They are also settled in numerous villages in a wide area east of the mountains around Shahr Kord, know as the Chahar Mahal.
External Link www.bakhtiaritribe.net
BELOUCH (also BALOUCH)
The exact origins of the Baloch are shrouded in some mystery and various theories are disputed by academics and historians. The Belouch speak a common language, Belouchi, which is derived from an ancient Indo-Iranian language. Modern day Belouch reside in the border areas spanning the countries of Iran, Afghanistan and Pakistan. The largest area of Belouchistan exists in western Pakistan with the city of Quetta as its capital. The Belouch of Pakistani Belouchistan, however, are not known for their pile weaving but for their intricate weft-substitution flat-weaves. Most pile rugs are made by the Belouch of Iran and Afghanistan. Learn more about the Belouchi people and Belouch weaving.
BESHIR
Turkmen tribe affiliated with the Ersari; it is also the main weaving center in the Amu Darya valley.
External Link A Note on Ersari Group Turkmen Weavings by Peter Poullada.
BORDER
The element that frames the field design. It is sometimes said to represent a window overlooking the infinite.
BOTEH
A pear-shaped figure (which inspired the “paisley” design) often used in Oriental rug designs. There is much speculation regarding the origin of this motif. Some consider it a representation of a tree swaying in the wind, a pear or pinecone. Other interpretations considered are more mystical: the holy flame of Zoroaster or the alembic of the spiritual alchemists.
External Link Boteh image (JPG) at woltextapijten.com
BROCADED
Technique where the pattern is not constituted by means of pile knots but by inserting supplementary weft shoots. There are various brocading techniques, the best known of which is the soumac technique.
External Link Basic Tribal and Village Weaves at MarlaMallett.com
BUKHARA or BOKHARA
a) For centuries a center of Muslim learning and spirituality, and the principal trading point for Turkmen tribal carpets; many Turkman carpets as a result have erroneously been called “Bukhara”.
b) The trade name for inexpensive and uninspired carpets woven in Pakistan with Turkmen designs.
CARDING
A process in the preparation of raw wool (or other fibers) for spinning accomplished by drawing it repeatedly across rows of small metal teeth.
CARTOUCHE
Ornament having an elongate ovoid, octagonal, or hexagonal form which is typically found on borders.
CHINTAMANI
An ornament seen in early Ottoman art composed of three circles arranged triangularly, flanked underneath a pair of wavy lines.
CHUVAL
Large rectangular storage bag found mainly among the weavings of the Turkmen tribes.
CLOUDBAND
A motif shaped like a collar make up of stylized clouds.
DEPRESSED WARPS
Refers to the warp depression created by the tension given by the weft. In extreme cases the second warp will be behind the first one.
External Link Basic Tribal and Village Weaves at MarlaMallett.com
ELEM
Additional, often ornamented end border, appearing at one or both ends of different Turkmen pieces.
ENDLESS KNOT
A motif made up of a pair of continuously interlaced lines.
ENSI, ENGSI
Turkmen term for a rug employed as a tent-door cover.
ERSARI
A large sub-tribe of the Turkmen distributed along the Amu Darya valley and in northwest Afghanistan. Recently, many Ersari have settled in Pakistan.
External Link A Note on Ersari Group Turkmen Weavings by Peter Poullada
FIELD
The main, central part of the carpet design composition. Sometimes also know as the ground.
FLAT WEAVE
A loose term used to describe any pile less weaving, for example a KILIM, ÇIÇIM or SOUMAC.
External Link Basic Tribal and Village Weaves at MarlaMallett.com
FOUNDATION
The skeleton of the rug, that is the number and type of warps and wefts.
GABBEH
A Lori word to describe fairly coarse, long-piled rugs made by nomads of the central Zagros Mountains for use in the tent. They are decorated with bold abstract patters or naïve designs and used to be considered too crude to be worth trading but recently their artistic value has been recognized.
GUL
A term of disputed origin and significance. Perhaps it is a crude transliteration of the word for flower (Persian) or roundel (Turkish). In practice it is used to describe the discrete ornaments arranged in an endless repeat pattern used by Turkmen weavers to decorate their carpets, bags and other weavings. It is possible to say that each tribe had its own weaving style in which certain colors and guls were used in easily recognizable combinations.
External Link Tekke Gul at turkotek.com
HANDLE
Impression given by the texture of a rug when touched; generally, it refers to the quality of the surface, the feel when gripped, and the consistency of the back.
HARSHANG
A design seen on certain Caucasian and Northwest Persian rugs composed of a polylobed palmette alternated to an almond-shaped cartouche with split-leaf arabesques sprouting from each end.
HANDSPUN WOOL
This refers to wool that was processed by hand. Although some people prefer the uniformity and formal appearance that machine-spun wool imparts to carpets, most connoisseurs value the effect produced by hand spun wool. When spun by hand, yarn absorbs more dye where it is loosely spun and less dye where it is spun tightly, thus producing pleasant variegation (know as “abrash”) in the colors of a rug. Hand spun wool naturally requires more labor and thus rugs woven with handspun wool are more costly. But, the hand spinning process is less abrasive to the wool; more of the natural oils (lanolin) are retained and less fibers are broken. This produces a wool thread that is more resilient and carpets made with such wool will last long and wear better. The drop spindle is the tool most commonly used for hand spinning in rug weaving countries.
HAZARA
The Hazara are an ethnic group that resides primarily in the central mountain region of Afghanistan known as Hazarajat. There is also a significant population of Hazaras in Pakistan in Iran. The Hazaraqai language is a unique dialect of the Persian language with some Mongolian and Turkish vocabulary. Most Hazara are Shia Muslem; a fact that has made them victims of persecution under the Taliban regime.
External Link www.hazara.net
HERATI
An allover pattern seen on many Persian rugs, composed of small leaves connected to a small palmette.
IKAT
A complex weaving technique giving rise to warp-faced silk textiles ascribed to the Bukhara area in Central Asia.
KAZAK
In origin, a tribal name, now a town, river and district in the extreme west of Azerbaijan, the Caucuses. Kazak rugs are noted for their coarse, long-pile carpets with shiny wool and vigorous designs. The weavers were Turkic nomads, now settled, who came to the region at the time of the great westward migration of Turks in the eleventh century.
External Link Caucasus in Wikipedia
KAZAKH
The name given to the people of Kazakhstan (Central Asia) in 1936. Today they are the largest group of felt-tent nomads, known for their felts and reed screens; they are not strong in piled carpets.
External Link Kazakhstan Travel Info from Lonely Planet
KHORJIN
Double sided saddlebag.
KILIM
(also Kelim, Gelim, and Gilim) A pileless smooth surfaced weaving in which pattern is formed by the wefts, which completely conceal the warps.
KNOTTED PILE
The type of weaving most associated with Oriental rugs in which tufts of wool forming pile are wrapped around one or more (usually two) warps to project at right angles to the plane of the weaving. They are tied individually, one row at a time, and held in place by ground wefts. The process is to be distinguished from the making of hooked rugs in which tufts of wool are poked into pre-existing loosely woven fabric.
External Link Basic Tribal and Village Weaves at MarlaMallett.com
KURD
The Kurdish people inhabit a mountainous area of Southwest Asia which includes parts of Iraq, Turkey and Iran as well as smaller sections of Syria, Armenia and Lebanon. Kurds speak the mostly mutually intelligible dialects of the Kurdish language, which has Indo-European roots. Although many Kurds live in modern-day Middle Eastern countries, they differ from the Arabs, Turcs, Assyrians, Armenians as well as the Persians in a variety of ways which may not be apparent to the outside observer. Ranging anywhere from 25 to 27 million people, the Kurds comprise one of the largest ethnic groups without their own country in the world. Their weaving tradition is wonderfully rich and varied; from flat weaves to nomadic pieces to village rugs to intricate workshop carpets.
External Link Map of Kurdish lands at wikipedia.org
LAZY LINES
Diagonal lines visible on kilims or on the back of a rug and caused by the discontinuity of the weft.
LUR
(or LORI) A tribe of black-tent nomads and settled villagers, long established in the northern and central Zagros mountains of south Persia, politically and linguistically linked to the Bahktiari. They make interesting piled and pileless weavings.
MEDALLION
Ornament, usually having a rounded shape, circular, oval or star like; mainly in the center of the field, however often as a vertical repeat or an allover pattern.
MIHRAB
Term used to define the niche in Oriental prayer rugs, adapted from the niche in the interior of mosques which indicates the direction of Mecca. The question whether or not there is such a direct connection between prayer rugs and the mihrabs of mosques has still to be answered.
MINA KHANI
An infinitely repeating floral pattern made up of a large flower head with four small flowers.
MORDANT
From the Latin ‘to bite’, the term describes a substance used to prepare wool or silk for dyeing. The mordant attaches to receptor sites on the surface of protein fibers and makes a chemical bridge between the dyestuff and fiber. The most common mordants are alum and iron sulfite. Madder and the yellow plant dyes require a mordant, whereas indigo does not.
External Link Mordants at aurorasilk.com
MUGHAL
A Mongol dynasty that dominated India from 1526 to 1858.
External Link Mughal in Wikipedia
NATURAL DYES (also, VEGETAL OR VEGETABLE DYES)
History
Until the end of the 19th century, natural dyes were the only dyes used in the production of textiles. During the Victorian era, chemists discovered formulas for producing cheap aniline dyes. These early synthetic dyes swept through rug producing countries like a plague. These aniline dyes faded rapidly and the colors bleed when washed with water. By the mid 20th century, the art of the naturally dyed rug was lost. Up until 1980, if you wanted to own a beautiful naturally dyed rug, you were obliged to buy an antique rug produced before the advent of synthetic dyes.

Luckily for us, this changed in the 1980s. A German scientist, Dr. Bohmer, with a passion for antique carpets unlocked the formulas for creating natural dyes. With the help of Turkish authorities, he founded the DOBAG project: creating Turkish rugs made entirely with naturally dyed wool. Soon, other entrepreneurs followed this example and now a small but passionate group of rug producers chose to make their rugs with these superior dyes.

What are natural dyes?
Natural dyes are dyes that are sourced from traditional plant and mineral sources. Some of the most widely used dyes in carpets are Indigo, which creates all shades of blue, and Madder root which creates reds, from light pink to brilliant burgundy. Other natural sources include pomegranate skin for yellows and walnuts husks for black. Green is created in a two-part process by first dyeing wool blue with indigo and then over-dyeing with yellow.
Advantages of natural dyes.
The synthetic dyes used today are excellent and far superior to the earlier aniline dyes. Nevertheless, natural dyes have many advantages over their synthetic counterparts. Natural dyes are more beautiful. The colors they produce tend to have a more organic and natural hue. Wool dyed from plant sources has a more variegated palate (know as ABRASH) that shifts in intensity and saturation creating a pleasing hand-made look. In addition, natural dyes tend to be more color-fast. They fade very little when exposed to sunlight. And, when they do fade, they develop a warm patina of age. They do not bleed when washed with water. And finally, natural dyes are not toxic. They do not pose a risk to the dyers or to the environment.

Sometimes it is hard to distinguish Natural dyes from synthetic dyes. Here, rug veteran Steve Price discusses methods for distinguishing natural dyes.

PALMETTE
Fan-like ornament frequently occurring in Persian art and on Persian carpets; it has either the shape of a richly composed blossom or of a similarly constructed leaf.
External Link Palmette in Wikipedia
PLAIN WEAVE
Used to describe a weave in which the warp and weft are of equal tension and spacing. On the surface the warp and weft are equally visible.
External Link Basic Tribal and Village Weaves at MarlaMallett.com
PRAYER RUG
Small rug typically with a single-niche design.
External Link What do you mean, “It’s a prayer rug?” by Steven Price
QASHQAI
A political confederation of nomadic tribes in southern Persia officially disbanded in 1956. They speak a Turkish dialect, use black goat-hair tents and migrate between the coastal plain and the central Zagros Mountains. They are known for the quality of their weavings.
External Link The Qashqai on QASHQAI.NET
RUNNING DOG
A reciprocal latchook motif seen on the outermost borders of rugs from the Caucasus and Persia.
External Link Running Dog Pattern in Encyclopedia Britannica
SAF
Long rug composed of a series of flanking niches.
SAFAVID
The Safavids were an Iranian dynasty that ruled from 1501 to 1736. This was a time of great artistic and cultural development. Some of the great master-works of Persian carpets were created under this dynasty. Many of the designs from this period still influence and inform the carpets of today.
External Link Safavid Empire 1502 - 1736
by Shapour Ghasemi
SELJUK
Turkish-speaking tribe who dominated areas between the Bosphorus and the western borders of China in the late 11th and 12th centuries.
SHAHSAVAN
Turkish-speaking tribal confederacy of mixed ethnic origin in Northwest Persia, formerly inhabiting parts of Southern Caucasus.
External Link Guide to Shahsevan Rugs and Bags at spongobongo.com
SOFREH
Flatweave adopted by tribesmen from Persia and the Caucasus as a ground cloth during meals.
SOUMAC
This refers both to the carpets made in the soumac technique and the technique itself. Primarily practiced in the eastern Caucuses, this technique produces a flat-woven carpet using weft wrapping in which wefts are pulled over then wrapped under a series of warps.
External Link Basic Tribal and Village Weaves at MarlaMallett.com
SPANDREL
Designation of the corner parts of a prayer rug situated to the left and the right of the arch.
SPINNING
The process whereby a continuous thread is formed by twisting fibers together. The twist may be imparted by the rotation of a weighted rod (drop spindle) suspended from the thread. Alternatively, the rod may be attached to a rotating wheel driven by hand (spinning wheel) or a machine.
See HANDSPUN WOOL
SUZANI
Silk embroidery on cotton or silk background from Uzbekistan, typically woven as a dowry object.
SYMETTRICAL KNOT
The symmetrical knot bears this name because he thread forming the knot fully encircles two warp threads and reappears between them; occasionally around three or four warp threads; also called Turkish or Ghiordes knot.
External Link Basic Tribal and Village Weaves at MarlaMallett.com
TEKKE
The dominant Turkmen tribe in the second half of the nineteenth century, makers of a great variety of refined weavings. Their carpets, eagerly collected by Europeans, were baptized ‘Royal Bukhara‘ by merchants wishing to enhance their appeal.
External Link CHARACTERISTICS OF TEKKE WEAVING at turkotek.com
TORBA
Small Turkmen bag hung inside the tent and used for storage.
TURKMEN
An ethno-linguistic term referring to people of speaking a Turkic language living in what is now called Turkmenistan, northeastern Iran and north Afghanistan, with refugee groups in Pakistan and east Iran. In the nineteenth century they were divided into several tribes including the Salor, Tekke, Saryk, Ersari, Yomut, Chodor and Kizil Ayak. They are outstanding weavers and some ethnologists have postulated that the technique of pile weaving may originate from the Turkmen.
External Link www.turkmens.com
UZBEK
A tribal name referring to a people claiming Mongol descent but speaking a Turkic language. Nomadic groups of Uzbeks still exist in remote regions although, as is true with all tribal groups, most are today farmers and city dwellers. Most live in Uzbekistan but there are also many in Afghanistan as well as refugees in Pakistan and Iran. They speak the Turkic language, which distinguishes them from the Tajiks, descendent of the indigenous Indo-European population who have retained their Persian language.
External Link History at uzdessert.uz
VEGETAL OR VEGETABLE DYES
See NATURAL DYES
VILLAGE RUG
A type of rug that is partially influenced by the style of the court carpets from urban centers, while incorporating certain tribal styles.
WARP
The longitudinal threads fixed to the loom before weaving begins, which form a basic part of the structure.
WEFT
(also WOOF) The threads which are added in succession to the warp, crossing at right angles in the direction of the width of the fabric. In piled carpets they are invisible on the surface in kilims the wefts are the only threads visible.
YOMUT
A Turkmen tribe found in Turkmenistan and northeast Persia. They are farmers, semi-nomads and nomads and in remote regions still retain much of their ancient life-style.
External Link CHARACTERISTICS OF YOMUT WEAVING at turkotek.com
YASTIK
From Turkish, “cushion”. Small Turkish rug or textile used as a cushion cover.
YORUK
A term used in Turkey for nomad. Apart from the Kurdish-speaking tribes, most of the nomads in Turkey are of central Asian Turkmen origin and some still call themselves Turkmen. Most carpets called ‘Yoruk’ in the market place are made by Kurdish-speaking people in eastern Turkey.
External Link Nomads (Yoruks) at allaboutturkey.com
YURT
The Turkic name for the tent used by Turkmen tribes.

Inventory

Nomad Rugs
Christopher Wahlgren


3775 24th Street
San Francisco, CA 94114
(415) 401-8833
info@nomadrugs.com

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